{"id":15525,"date":"2013-10-26T12:51:29","date_gmt":"2013-10-26T11:51:29","guid":{"rendered":"http:\/\/rusoch.fr\/?p=15525"},"modified":"2013-10-26T13:11:23","modified_gmt":"2013-10-26T12:11:23","slug":"la-culture-du-divertissement-a-lepoque-de-lage-dargent-1908-1918","status":"publish","type":"post","link":"https:\/\/rusoch.fr\/ru\/news\/la-culture-du-divertissement-a-lepoque-de-lage-dargent-1908-1918.html","title":{"rendered":"\u00abLa culture du divertissement  \u00e0 l&#39;\u00e9poque de l&#39;Age d&#39;argent (1908&mdash;1918)\u00bb"},"content":{"rendered":"<p><br class=\"spacer_\" \/><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p>Centre de Recherches sur les cultures et litt\u00e9ratures d&#39;Europe centrale, orientale et balkanique<\/p>\n<p align=\"center\">UFR d&#39;Etudes slaves<!--more--><\/p>\n<p align=\"center\">\u00a0<\/p>\n<p align=\"center\"><strong> <\/strong><\/p>\n<p><a href=\"http:\/\/rusoch.fr\/files\/2013\/10\/document1.jpg\"><img class=\"shutterset\" title=\"document1\" src=\"http:\/\/rusoch.fr\/files\/2013\/10\/document1-282x400.jpg\" alt=\"document1\" \/><\/a><br class=\"spacer_\" \/><\/p>\n<p align=\"center\">\u00a0<\/p>\n<p align=\"center\"><strong>Colloque international<\/strong><\/p>\n<p align=\"center\"><strong>Organis\u00e9 par Nora Buhks<\/strong><\/p>\n<p align=\"center\"><strong><span style=\"text-decoration: underline;\">Programme<\/span><\/strong><\/p>\n<p align=\"center\"><strong>Vendredi 8 novembre 2013: 9h-18h<\/strong><\/p>\n<p align=\"center\"><strong>28 rue Serpente, Amphi D<\/strong><\/p>\n<p align=\"center\"><strong>Samedi 9 novembre 2013 : 9h -18h<\/strong><\/p>\n<p align=\"center\"><strong>Sorbonne, Salle des Actes<\/strong><\/p>\n<p align=\"center\">\u00a0<\/p>\n<p align=\"center\"><strong><br \/>\n <\/strong><\/p>\n<p><strong>Vendredi 8 novembre<\/strong><\/p>\n<p><strong> La  Maison de la recherche<\/strong><\/p>\n<p><strong>28 rue Serpente<\/strong><\/p>\n<p><strong>Amphi D 035<\/strong><\/p>\n<p align=\"center\">\u00a0<\/p>\n<p><strong>9h10 <\/strong>.\u00a0 Ouverture du colloque<\/p>\n<p><strong>Pr\u00e9sidente de s\u00e9ance: Nora Buhks<\/strong><\/p>\n<p align=\"right\"><strong> <\/strong><\/p>\n<p><strong>9h20<\/strong>.\u00a0\u00a0 Bogomolov Nikola\u00ef\u00a0 (Moscou)\u00a0: Le divertissement symboliste comme acte de cr\u00e9ation vitale<\/p>\n<p><strong>9h40<\/strong>.\u00a0 Magomedova Dina (Moscou)\u00a0: Divertissements ou<\/p>\n<p><em>loci<\/em> infernaux\u00a0? La d\u00e9monisation des divertissements dans la litt\u00e9rature symboliste<\/p>\n<p><strong>10h00<\/strong>.\u00a0 Coldefy-Faucard Anne (Paris)\u00a0: Sensation et divertissement. <br \/>\n L&#39;image de la Russie dans la presse \u00e0 grand tirage 1892&mdash;1917<\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>10h20<\/strong>.\u00a0 Discussion<\/p>\n<p><strong>10h40<\/strong>.\u00a0\u00a0 Pause caf\u00e9<\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>Pr\u00e9sident de s\u00e9ance:\u00a0 Nikola\u00ef Bogomolov<\/strong><\/p>\n<p><strong>11h00<\/strong>.\u00a0\u00a0 Jurgenson Luba (Paris)\u00a0: L. Tolsto\u00ef et la culture de masse<\/p>\n<p><strong>11h20<\/strong>.\u00a0\u00a0 Troubetzkoy Laure (Paris)\u00a0:\u00a0Un <em>Khadji-Mourat<\/em> avant Tolsto\u00ef\u00a0sur sc\u00e8ne musicale<\/p>\n<p><strong>11h40<\/strong> .\u00a0\u00a0\u00a0 Neginsky Rosina (Chicago)\u00a0: La danse, mode de divertissement\u00a0: la f\u00eate d&#39;H\u00e9rode et la danse de Salom\u00e9e dans la culture russe de l&#39;Age d&#39;argent<\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>12h00<\/strong>.\u00a0\u00a0\u00a0 Discussion<\/p>\n<p><strong>12h30<\/strong>.\u00a0\u00a0\u00a0\u00a0 D\u00e9jeuner<\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>14h30<\/strong>.\u00a0 Buhks N. Loshchilov I. Kol Ludmila : Piotr Potemkine et son recueil de po\u00e8mes in\u00e9dit <em>Paris<\/em> dans la revue <em>Literarus <\/em>(Helsinki). Pr\u00e9sentation du num\u00e9ro sp\u00e9cial en langue fran\u00e7aise.<\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>Pr\u00e9sidente de s\u00e9ance: Laure Troubetzkoy<\/strong><\/p>\n<p><strong>15h00.<\/strong> Golovin Valentin (P\u00e9tersbourg) : \u00a0Les journaux pour enfants de l&#39;Age d&#39;argent\u00a0: du moralisme au divertissement<\/p>\n<p><strong>15h20<\/strong>.\u00a0\u00a0 \u00a0Obatnin Gennady (Helsinki)\u00a0: Sur l&#39;histoire des soir\u00e9es de po\u00e9sie f\u00e9minine<\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>15h30<\/strong>.\u00a0\u00a0 Discussion<\/p>\n<p><strong>15h45.<\/strong> Pause caf\u00e9<\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>Pr\u00e9sidente de s\u00e9ance Laure Troubetzkoy<\/strong><\/p>\n<p align=\"right\"><strong> <\/strong><\/p>\n<p><strong>16h15<\/strong>.\u00a0\u00a0 Belobrovtseva Irina (Tallinn)\u00a0: Iouri Slezkin entre culture de masse et litt\u00e9rature de mass<\/p>\n<p><strong>16h35.<\/strong> Heller Leonid (Lausanne)\u00a0: L&#39;aventure, le voyage, le fantastique\u00a0: une nouvelle \u00e9poque et ses recettes pour se divertir<\/p>\n<p><strong> <\/strong><\/p>\n<p align=\"center\">\u00a0<\/p>\n<p align=\"center\">\u00a0<\/p>\n<p><strong>Samedi\u00a0 9 novembre<\/strong><\/p>\n<p><strong>Sorbonne, Salle des Actes<\/strong><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>Pr\u00e9sidente de s\u00e9ance : Elena Bryzgalova<\/strong><\/p>\n<p><strong>9h10 <\/strong>.\u00a0\u00a0\u00a0 Dmitriev Oleg (P\u00e9tersbourg) : Sur l&#39;histoire<\/p>\n<p>des Th\u00e9\u00e2tres d&#39;\u00e9t\u00e9<\/p>\n<p><strong>9h30<\/strong>.\u00a0\u00a0\u00a0 Henry Safier H\u00e9l\u00e8ne\u00a0 (Paris)\u00a0: <em>Les pots-pourris<\/em><\/p>\n<p>(<em>kapoustniki<\/em>) au Th\u00e9\u00e2tre d&#39;art<\/p>\n<p><strong>9h50.<\/strong> Ichin Kornelija\u00a0 (Belgrade) : La th\u00e9atrocratie de<\/p>\n<p>N.Evreinov et le\u00a0 <em>Miroir d\u00e9formant<\/em><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>10h10.<\/strong> Discussion<\/p>\n<p><strong>10h30.<\/strong> Pause caf\u00e9<\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>Pr\u00e9sidente de s\u00e9ance : Penskaya Elena<\/strong><\/p>\n<p><strong>11h00<\/strong>.\u00a0\u00a0\u00a0\u00a0 Timenchik Roman (J\u00e9rusalem)\u00a0: Contribution \u00e0 l&#39;histoire du cabaret russe<\/p>\n<p><strong>11h20<\/strong>.\u00a0\u00a0\u00a0\u00a0 Bryzgalova Elena (Tver&#39;)\u00a0: Les auteurs du<\/p>\n<p><em>Satirikon<\/em> sur la sc\u00e8ne des spectacles de vari\u00e9t\u00e9s<\/p>\n<p><strong>11h40<\/strong>.\u00a0\u00a0\u00a0\u00a0 Choubinsky Valery (P\u00e9tersbourg)\u00a0: Vladislav Khodasevitch et les \u00e9crivains de son cercle au th\u00e9\u00e2tre<\/p>\n<p><em>La Chauve-souris<\/em><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>12h00<\/strong>.\u00a0\u00a0\u00a0 Discussion<\/p>\n<p><strong>12h30<\/strong>.\u00a0\u00a0\u00a0 D\u00e9jeuner<\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong>Pr\u00e9sident de s\u00e9ance: Alexandre Stroev<\/strong><\/p>\n<p><strong>14h00<\/strong>.\u00a0\u00a0 Penskaya Elena : Farce et\/ou chronique criminelle. A propos d la gen\u00e8se de l&#39;extravagance th\u00e9\u00e2trale dans la culture russe (1900&mdash;1910).<\/p>\n<p><strong>14h20<\/strong>.\u00a0\u00a0\u00a0\u00a0 Buhks Nora (Paris)\u00a0: N. I. Fale\u00efev (Tchouj-Tchoujenin)\u00a0: un juriste sur la sc\u00e8ne des cabarets<\/p>\n<p><strong>14h40<\/strong>.\u00a0\u00a0\u00a0 Loshchilov Igor (Novosibirsk)\u00a0: <em>Les espi\u00e8gleries de Cupidon<\/em> (1913)\u00a0: Miss et Potemkin<\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>15h00<\/strong>.\u00a0\u00a0\u00a0 Discussion<\/p>\n<p><strong>15h30<\/strong>.\u00a0\u00a0\u00a0 Pause caf\u00e9<\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>Pr\u00e9sident de s\u00e9ance: Leonid Heller<\/strong><\/p>\n<p><strong>16h00<\/strong>.\u00a0\u00a0\u00a0\u00a0 Stroev Alexandre (Paris)\u00a0: Konstantin Somov et Georges Barbier\u00a0: illustrations \u00e9rotiques inconnues<\/p>\n<p><strong>16h20<\/strong>.\u00a0\u00a0 Roudnev Vadim (Moscou)\u00a0: Son et image dans le cin\u00e9ma muet<\/p>\n<p><strong>16h40<\/strong>.\u00a0\u00a0 Noussinova Natalia (Moscou)\u00a0: D&#39;un best-seller de l&#39;Age d&#39;argent aux khity et \u00e0 l&#39;\u00e9criture d&#39;auteur au cin\u00e9ma\u00a0: du film de Ia. Protazanov et V. Tchardynin d&#39;apr\u00e8s le roman de Verbitska\u00efa <em>Les clefs du Bonheur<\/em><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><strong>17h00<\/strong>.\u00a0\u00a0 Discussion<\/p>\n<p><strong>17h30<\/strong>.\u00a0\u00a0 Cl\u00f4ture du colloque<\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Centre de Recherches sur les cultures et litt\u00e9ratures d&#39;Europe centrale, orientale et balkanique UFR d&#39;Etudes slaves<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/rusoch.fr\/ru\/wp-json\/wp\/v2\/posts\/15525"}],"collection":[{"href":"https:\/\/rusoch.fr\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rusoch.fr\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rusoch.fr\/ru\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rusoch.fr\/ru\/wp-json\/wp\/v2\/comments?post=15525"}],"version-history":[{"count":0,"href":"https:\/\/rusoch.fr\/ru\/wp-json\/wp\/v2\/posts\/15525\/revisions"}],"wp:attachment":[{"href":"https:\/\/rusoch.fr\/ru\/wp-json\/wp\/v2\/media?parent=15525"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rusoch.fr\/ru\/wp-json\/wp\/v2\/categories?post=15525"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rusoch.fr\/ru\/wp-json\/wp\/v2\/tags?post=15525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}